14 in wideSpring Thoughts, 2019
Acrylic on canvas, 11 × 14 in
Most of the canvas stays a pale green, with small red and brown marks scattered over it. No resin coat is named, so there is no glossy face to plan the lighting around.
You don’t need to know about art to buy a painting. You need a wall, a tape measure and one phone call. After six small originals to start with, this page goes through them in that order.
Every work shown here is an original by Sergei Troshin. You can see them in Markham, just north of Toronto.
Call +1 (416) 919-8331They are in order of size, from 11 × 14 in to 24 × 24 in. Paintings this small fit a hallway, an alcove or the wall above a chest of drawers. The two canvases are light. Ask us what the four boards weigh before you choose a fixing. All six were unsold when this page was written, and a sold work is marked on its own page.
14 in wideAcrylic on canvas, 11 × 14 in
Most of the canvas stays a pale green, with small red and brown marks scattered over it. No resin coat is named, so there is no glossy face to plan the lighting around.
14 in wideAcrylic on canvas, 11 × 14 in
The same size and the same paint as Spring Thoughts, in rust and ochre with turquoise and yellow flicks. Put the two side by side to see how far colour alone changes a small work.
16 in wideAcrylic on wooden board, sealed with resin, 12 × 16 in
Fine line work under clear poured coats. The artist’s note on it speaks of “up to ten floating layers” of epoxy.
20 in wideAcrylic on board, sealed with resin, 16 × 20 in
The most recent of the six. A rigid board with a hard, glossy face, so it reflects a window placed opposite it.
20 in wideAcrylic and resin on fiberboard, 20 × 16 in
A maze of line under a poured coat. In the artist’s words: “The entire labyrinth of lines was drawn by hand.”
24 in wideAcrylic and resin on fiberboard, 24 × 24 in
The largest here, and a square. A square is the easy shape for a wall that has no obvious centre.
First purchases rarely go wrong on taste. They go wrong on the wall, and each of these takes a few minutes.
| Check | How | What it tells you |
|---|---|---|
| The size | Tape the painting’s outline on the wall and leave it there for a day. | A 24 × 24 in square looks larger on a narrow wall than the numbers suggest. Leave about the painting’s own width of bare wall on each side. More on scale. |
| The light | Note where the window is and when the sun reaches that wall. | Light from the side shows a built-up surface. A window straight opposite puts its own reflection on a resin face. |
| The wall | Find out if it is drywall, plaster or concrete, and whether you rent. | The fixing depends on it. A board sealed with resin weighs more than a canvas of the same size, so ask us the weight. |
| The way in | Measure the lift, the stairwell and the front door. | It hardly matters for the six works above. It matters a great deal once you look at a four-foot panel. |
Each painting exists once and this site has no checkout, so every price is on request.
Phone us, or use the form headed “Ask about this piece” on the painting’s own page, and give the title. The answer is the price and whether the work is still available. Asking does not commit you to buying.
Name the painting. You hear the price and whether it is still available.
Viewings are by appointment at 473 Simonston Blvd, Markham, daily between 9:00 and 18:00. A photograph flattens depth and reflection, so come if you can. What a viewing is like.
There is no account to open and no online checkout. The sale is agreed with the gallery directly.
The work is signed and comes with a Certificate of Authenticity signed by the artist. Keep the certificate with a photograph of the front and back of the painting.
Collect it in Markham, or have it packed and shipped to your address in Canada or abroad. How an original travels across Canada.
Online, one image is often sold three ways at once. The three are different objects.
The Certificate of Authenticity records which object this is and that the artist made it. It is not a valuation. What the certificate says and how to tell the three apart from a listing go further.
With the painting you keep going back to and the wall you have. Tape its size on the wall for a day, note where the light comes from, then call and ask the price. None of that commits you to anything.
No. Say which painting you liked on the site and the visit starts from there. Viewings are by appointment, daily between 9:00 and 18:00.
Nothing in the catalogue is a print or a reproduction. Each work was made by hand, exists once and is signed, and it comes with a Certificate of Authenticity signed by the artist. The artist’s page tells how he came to painting.
One the wall can take with room to spare: about the painting’s own width of bare wall on each side. The six works on this page run from 11 by 14 inches to 24 by 24 inches.
A painting can be made for your wall. Commissions are welcome, and the size of the wall is the place to start. How a commission works, or write through the contact page.
Phone +1 (416) 919-8331 and name any painting on this page. Ask what it costs, whether it is still available and what it weighs. Viewings are by appointment at 473 Simonston Blvd, Markham, daily between 9:00 and 18:00.