Transience
Description:
This painting is a result of a long, detailed, artistic process! Every line and dot is a hard, but joyful hand-painted piece of work! As many lines, as many days of work! Every layer of my abstract lines is sealed with a coat of crystal clear epoxy. Sometimes they are up to ten floating layers there.Available — this original is currently for sale.
If you wish to purchase a work of art, please contact us or call +1 (416) 919-8331.
About this piece
Transience is an original, one-of-a-kind work by Sergei Troshin, born 1960, based in Canada. It is made with acrylic painting wooden board sealed with resin and measures 12 × 16 in (30.5 × 40.6 cm). It was completed in 2020. There is only one — nothing here is a print or a reproduction.
Materials and finish
The work is built on wooden board. A wooden board is rigid, which is what lets a thick, poured surface stay flat over time.
Resin — A poured resin coat cures to a hard, glass-like film. It deepens the colour underneath the way water darkens a stone, seals the surface, and gives the work a reflective face that behaves like glazing without the glass. Tate’s glossary entry on resin explains the term in more detail.
Acrylic — Acrylic dries quickly and stays flexible, which lets layers be laid over one another in a single session and scraped back while still workable. Tate’s glossary entry on acrylic paint explains the term in more detail.
Size and scale
The piece measures 12 × 16 in (30.5 × 40.6 cm). It reads as an upright piece, and this is a mid-scale piece — enough presence to hold a section of wall on its own above a console, a desk or a bedside.
Looking after it
The resin face is hard but it scratches like any gloss surface. Dust it with a dry, soft cloth — no solvents, no household cleaners, nothing abrasive.
Keep it out of long hours of direct sun. Prolonged UV is what ages a clear coat, and a wall that gets full afternoon light is the one place to avoid.
Room conditions matter more than anything else: stable temperature, stable humidity, no direct sun. The American Institute for Conservation publishes plain-language guidance on caring for artwork at home.
From the same year
2020 is represented in the catalogue by 4 works. Alongside this one: Decorative Composition 1, Decorative composition 2 and Decorative Composition 3.
Further reading
We write about how these surfaces are made and how to live with them in Notes on Art. Relevant to this piece:
- Mixed Media, Without the Jargon — What mixed media actually means in plain terms, seen up close in two Sans Souci originals that combine collage, resin, and diamond dust on one surface.
Buying, viewing and delivery
Every artwork leaves the studio with a Certificate of Authenticity, signed and sealed by the artist. Prices are shared on request — there is no online checkout, because each piece is one of a kind and we would rather answer your questions first. Pieces can be viewed in person in Toronto by appointment, and we are happy to talk through materials, framing or how a work will sit in your space. Shipping is quoted per piece and packed individually so the work travels safely. Ask about this piece.
